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T'ang HaywenSans titre, 1970Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1972-3Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
T'ang HaywenSans titre, 1975Ink on Kyro board70 x 100 cm
27 1/2 x 39 3/8 in.
Diptych -
Sol LeWittTwo Asymmetrical Pyramids , 1986Gouache and pencil on paper51 x 71 cm (20 x 28 in.)Signed and dated on the lower right corner
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Pierre JahanPoisson, 1938Epreuve gélatino argentique21 x 27 cmMonotype
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Pierre JahanYeux des poupées, 1945Photography20 x 26 cmMonotype
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Pierre JahanSans titre (Horloge), 1945photomontage29.5 x 39 cmMonotypephotomontage tiré par l'artiste, with studio stamp on the back.
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Pierre JahanA coeur perdu, 1946Photogramme30 x 40 cmPartially hand coloured monotypeDeveloped by the artist, with the studio stamp on the back. Dated by the artist.
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Pierre JahanPublicité pout la cristallerie Daum, 194724 x 31 cmUnique
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Pierre JahanPublicité pour la cristallerie Daum, 1947Photomontage31 x 24 cmUnique
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Pierre JahanLa main aux yeux, 1948Photomontage23.5 x 29 cmOne of a fw photographs developped by the artist himself.Signed with the studio stamp and dated on the verso.
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Pierre JahanPortrait d'un ange, 1948photomontage30x40 cmOne of few editions of this image, from the lifetime of the artist.épreuve tirée par l'artiste
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Pierre JahanPost-Mortem, 1950Photomontage23 x 29 cmMonotypePhotomontage tiré par l'artiste, signé avec le cachet de l'atelier sur le verso et daté.
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Pierre JahanFeux d'artifices, 1951Photogramme35,5 x 28 cmOne of only a few proofs ever developped by the artist.Photogramme tiré par l'artiste, signed with the studio stamp, titled and dated "Juillet 1951" on the back.
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Pierre JahanAvec Krups vous maigrirez, 1960Photomontage31 x 21 cmUniquephotomontage tiré par l'artiste et inscrit à la main
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Pierre JahanL'Egarée, 1960Photo collage19 x 24,5 cmMonotypeSignée et titrée par l'artiste sur le dos.
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Pierre JahanMesse noire, 1970Photographie16 x 24 cm
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Pierre JahanOn arrête pas le progrès, 1970Photo collage sur décalcomanie20 x 25,5 cmUniqueSigned on the lower left and titled by the artist on the back.
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Pierre JahanLe Travail et l'art à l'usine, 1970photo collage sur décalcomanie.24 x 28 cmUniqueTitled by the artist on the back.
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Pierre JahanL'Operette, 1970Photo-collage sur décalcomanie.25,5 x 19,5 cmUniqueSigned bt the artist on the lower right
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Pierre JahanLe Cinéma, 1970Photo-colllage sur décalcomanie.22 x 30 cmUniqueSigned by the artist on the lower left, titled on the back.
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Pierre JahanCorrida, 1970Photo-collage sur décalcomanie.20,5 x 31 cmUniqueSigned and dated by the artist on the lower left, titled on the back.
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Pierre JahanEn rêve., 1980Photo-collage30 x 39 cmUnique workSigned and titled by the artist on the lower bord. Dated by the artist on the back.
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Pierre JahanPortrait d'un ange , ca 1943Photography31,5 x 23,5 cmEpreuve tirée par l'artiste
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Pierre JahanSans titre, ca. 1950Photomontage21 x 30 cmMonotypePhotomontage tiré par l'artiste
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Pierre Jahan1944...., ca. 1970Photo collage sur décalcomanie.22,5 x 20,5 cmUniqueSigned on the lower left and titled by the artist on the back.
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Pablo PicassoSalomé , 1905EtchingImage: 34.8 x 40 cm
Sheet: 44.8 x 55 cmOne of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.
Unsigned and un-numbered by the hand of the artist.Signed and dated in the plate -
Pablo PicassoLes Saltimbanques, 1905Etching on Van Gelder vellum paper28.8 x 33 cmEdition à 250 exemplaires, Editée par Ambroise Vollard.
Imprimée par Louis Fort, Paris
Filigrane VollardSigned and dated on the plate -
Pablo PicassoSaltimbanque au repos, 1905Drypoint on Van Gelder vellum paper.Image : 12 x 8.5 cm
Sheet : 33 x 51 cmPrinted by Louis Fort, Paris, and edited in 250 proofs by Ambroise Vollard, Paris. -
Pablo PicassoProfil sculptural de Marie-Thérèse, 1933Etching and dry-point on Montval paper, "Picasso" filigree31,8 x 22.8 cm (image)
45 x 34 cm (sheet)Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.Unsigned -
Pablo PicassoLa Grande Corrida, 1934Etching on copper-plate, on Montval "vergé" paper.Image: 48.7 x 69.7 cm
Sheet: 56.8 x 77.5 cmEdition of 50.
The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.Non-signed -
Pablo PicassoFemme Torero I, 1934Etching on copper-plate printed on Montval "vergé" paper.Image: 49.7 x 69.7 cm
Sheet: 57.1 x 77.5 cmEdition of 50.
The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.Unsigned. -
Pablo PicassoBacchanale, 1955Eau-forte et aquatinte en couleurs sur vélin de RivesImage: 47, 4 x 56,3 cm
Feuille: 56 x 76,5 cmEdité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.Signé au crayon en bas à droite -
Pablo PicassoLes Ménines, 1959Dessin aux crayons de couleur32 x 24 cmSigné au crayon "Picasso", daté "le 28.1.59"
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Pablo PicassoFemme nue à a source, 1963Linocut in colours on Arches vellum paperImage: 53.4 x 64 cm
Sheet: 62.5 x 75.5 cmEdition of 50, n°48/50 Printed by Arnera, vallaurisEdited by Louise Leiris, ParisSigned on the lower right cornr and numbered by the artist -
Pablo PicassoThéâtre ou télévision: cape et épée , 1968Aquatint and etching on Rives vellum paperImage: 29.5 x 34.5 cm
Sheet: 45.5 x 52 cmN° 18/50
From an edition of 50.
Printed by the Atelier Crommelynck, Paris
Edited by Galerie Louise Leiris, ParisSigned on the lower right corner -
Marcel GromaireNu, 1944Ink on paper20 x 15 cmSigned and dated by the artist "Gromaire 1944"
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Leonor FiniRéflexion dans la fenêtre d'un trainInk and wash on paper27 x 22 cmSigned on the lower-right corner
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Leonor FiniSolomonie, ca. 1970Gouache and ink on paper24 x 22 cmSigned on the lower right corner
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Henri MatisseComposition for the Centenary of the Mourlot printing studio, 195265 x 50 cmRare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.Signed, dated and dedicated by the artist "à Maurice Operiol/H. Matisse 53" on the lower left corner. -
Gaston ChaissacSelf Portrait, 1938Oil on board27 x 21 cm (10 5/8 x 8 1/4 in.)
Framed: 53 x 48 cm (21 x 19 in.)Signed chaissac on lower left -
André MassonPoursuite, 1933Oil on canvas81 x 116 cm (32 x 45 ¾ in.)Signed, lower left
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Afro (Afro Basaldella)Le Jardin de l'Espoir, 1958Mixed Media on paper mounted on canvas66 x 102 cm (26 x 40 1/4 in.)Signed and dated on the bottom right
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Max ErnstUntitled Collage, 1933Collage on paper12 x 12 cm (4 ¾ x 4 ¾ in.)
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Yves KleinBlue Table, 1963Glass, plexiglass, chrome base and IKB blue pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
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Yves KleinGold Table, 1963Glass, plexiglass, chrome base and gold leaf.126 x 37 x 100 cm (49 5/8 x 14 1/4 x 39 3/8 in.)These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
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Yves KleinPink Table, 1963Glass, plexiglass, chrome base and pink pigments.126 x 39 x 100 cm (49 5/8 x 15 3/8 x 39 3/8 in.)These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.
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Young-Hoon KoA Strange Book, 1988Acrylic and collage on paper, mounted on canvas112 x 160 cm (44 1/8 x 23 5/8 in.)Signed and dated bottom right
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Fernand LégerStill Life, Yellow and Blue, 1938Gouache and ink21.2 x 28.5 cm (8 3/8 x 11 1/4 in.)
Sheet: 23 x 31 cm (9 x 12 1/4 in.)
Framed: 58 x 65 cm (22 7/8 x 25 5/8 in.)Signed, with an inscription to Madame Morancé, cordial hommage/FLéger. Monogrammed and dated 38 -
André MassonLa ville abandonnée, 1923-24Pastel62.2 x 47 cm (24 1/2 x 18 1/2 in.)
Framed: 98.5 x 83.3 cm ( 38 3/4 x 32 3/4 in.)Signed on the lower left, "André Masson" -
André MassonMartiniquaise, 1941Ink on paper30 x 22.6 cm (11 7/8 x 9 in.)Monogramed and signed lower right : a.m. 41
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André MassonJeux d'oiseaux, c. 1965Felt pen on tracing paper35 x 35.5 cm (13 ¾ x 14 in.)Signed on the lower left, "André Masson"
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André MassonSerruriers (Locksmiths), 1946Pastel, charcoal and ink on kraft paper.60.8 x 46.3 cm (24 x 18 ¼ in.)Stamp of the artist on the lower left. 1946.
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André MassonPortrait de Peter Matisse, 1943Pastel on paper49 x 39 cm (9 3/8 x 15 3/8 in.)
Framed: 65 x 55 cmSigned on the lower left -
André MassonVille crânienne, 1940Watercolor on paper laid on canvas48 x 62 cm (18 7/8 x 24 ½ in.)Signed and dated lower left : André Masson 1940
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Gen PaulMontmartre sous la neige, c. 1940Gouache on paper49 x 64 cm (19.3 x 25.2 in.)Signed on the lower right
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Gen PaulPortrait de jeune fille, circa 1927Oil on canvas55 x 33 cm (21 5/8 x 13 in.)
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Gen PaulPortrait d'Ernest Lajeunesse, 1928Oil on canvas100 x 65 cm (39 ½ x 25 ½ in.)Signed on lower right
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Pablo PicassoTête de femme n° 2 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint in four colorsPlate size: 29.9 x 23.7 cm (11 7/8 x 9 3/8 in.)
Framed: 66 x 55 cm (26 x 21 5/8 in.)Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.Dated upper right: 20/4/39 -
Pablo PicassoTête de femme n° 4 (Portrait of Dora Maar), 1939Aquatint, scraper and drypoint on Montval paper with Vollard watermarkImage: 29.9 x 23.7 cm (11.8 x 9.3 in.)
Sheet: 45 x 34 cm (17 3/4 x 13 3/8 in.)
Framed: 65.5 x 56 cm (25 3/4 X 22 in.)Numbered in pencil “50/80”. Printed by Lacourière. -
Pablo PicassoLa Puce, 1936 - 1942Etching and aquatint on Chinese paper37 x 27 cm (14 ½ x 10 5/8 in.)2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière. -
Pablo PicassoPeintre et son modèle au collier, 1966Aquatint, etching, scraper and drypointImage: 27.2 x 37.6 cm (10 3/4 x 14 7/8 in.)
Sheet: 41 x 50 cm (16 1/8 x 19 3/4 in.)Numbered on the lower left « 35/50 »Signed by the hand of the artist at the bottom right « Picasso » -
Pablo PicassoLe Papillon, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 × 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
Pablo PicassoLe Bélier, 1936-1942Sugar-lift Aquatint, scraper and dry point on Imperial Japanese paper.37 x 27 cm (14 ½ x 10 5/8 in.)
Framed: 62 x 53 cm (24 ½ x 21 in.)One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris. -
T'ang HaywenSans titre, c. 1976Ink on board, diptych70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.3 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 85.Inscribed on the back by T'ang, "7611PJ" -
T'ang HaywenSans titre, c. 1975Ink on paper75 x 105 cm (29 1/2 x 41 1/4 in.)This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.
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T'ang HaywenSans titre, c. 1976Ink on Kyro paper; dyptich70 x 100 cm (27 1/2 x 39 3/8 in.)
94.5 x 124.7 cm, framedThis work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: LDI - KY - 88.Inscribed on the back by T'ang, "7612PJ"