Modern

Monotype

Monotype

Monotype

Partially hand coloured monotype

Unique

Unique

One of a fw photographs developped by the artist himself.

One of few editions of this image, from the lifetime of the artist.

Monotype

One of only a few proofs ever developped by the artist.

Unique

Monotype

Unique

Unique

Unique

Unique

Unique

Unique work

Monotype

Unique

One of 27 proofs printed by Fort with background tinting on old Japon for Ambroise Vollard, before the run of 250 on Van Gelder laid paper.
Unsigned and un-numbered by the hand of the artist.

Edition à 250 exemplaires, Editée par Ambroise Vollard.
Imprimée par Louis Fort, Paris
Filigrane Vollard

Printed by Louis Fort, Paris, and edited in 250 proofs by Ambroise Vollard, Paris.

Edition of 55, printed by Lacourière, Paris, in 1942. This edition was printed on the same paper as was used for the Vollard Suite.

Edition of 50.

The edition, planned by Vollard at 50 examples, was never delivered or paid for due to the death of the great Parisian dealer. The proofs were bought in 1960 by a Parisian dealer. Only a few (four or five) prints, sold by Lacourière, were signed by Picasso.

Edition of 50.

The edition, of which Vollard planned 50 proofs, was never delivered or paid for due to the death of the great Parisian art dealer. Only a few (four or five) proofs, sold by Lacourière, were signed by Picasso.

Edité par Crommelynck, Paris.
Une des rares épreuves d’artistes signées, réservées à Picasso, à l’imprimeur et à l’éditeur, à part de l’édition à 300 exemplaires numérotés et signés.

Edition of 50, n°48/50 Printed by Arnera, vallaurisEdited by Louise Leiris, Paris

N° 18/50
From an edition of 50.
Printed by the Atelier Crommelynck, Paris
Edited by Galerie Louise Leiris, Paris

Rare and beautiful artist’s proof signed, dated '53 and dedicated by the artist to Maurice Operiol.
One of only two known impressions of the final state before the letter, hand-signed by the artist. The lithographic poster with the letter and some other rare prints without the letter bear only the date and the artist's signature printed in stone. The other proof signed at the lower left had been offered to Fernand Mourlot.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

These works are part of an edition started in 1963, at the initiative of the Fondation Rotraut Klein-Moquet, from a design by Yves Klein.

Aquatint, scraper and drypoint in four colors on four copper plates 104 prints on Montval paper. These proofs are neither numbered nor signed.

Numbered in pencil “50/80”. Printed by Lacourière.

2nd state B, Artist proof on Chinese paper, aside from the numbered edition of 35 original etchings to illustrate Buffon’s texts, Paris, 1942.
Martin Fabiani, editor. Proof printed by Lacourière.

Numbered on the lower left « 35/50 »

One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

One of the rare titled 35 prints on Imperial Japanese paper.
Print Roger Lacourière workshop, Paris.

This work will be included in the catalog raisonné T'ANG Haywen in preparation by T'ang Haywen Archives and Mr. Philippe Koutouzis under the number: XLMI - KW - 11.